Janet C Berlo and Ruth B Phillips Native North American Art 3rd Edition

Native Northward American Art

Second Edition

Janet Catherine Berlo and Ruth B. Phillips

New to this Edition:

• New features, including "Object in Focus," "Technique in Focus," and "Artist in Focus" boxes, are in every chapter
• Updated and expanded coverage of contemporary Native American Art
• More than 225 images, many new to this edition
• New glossary, timelines, and an updated bibliography

Native N American Fine art

Second Edition

Janet Catherine Berlo and Ruth B. Phillips

Clarification

This lively introductory survey of indigenous North American arts from ancient times to the present explores both the shared themes and imagery found across the continent and the distinctive traditions of each region. Focusing on the richness of artwork created in the US and Canada, Native North American Art, 2nd Edition, discusses 3,000 years of architecture, wood and rock carvings, basketry, dance masks, wear and more. The expanded text discusses twentieth- and twenty-first-century arts in all media including works by James Luna, Kent Monkman, Nadia Myre, Jaune Quick-to-Meet Smith, Will Wilson, and many more than. Authors Berlo and Phillips contain new research and scholarship, examining such issues as art and ideals, gender, representation, and the colonial encounter. By bringing into one conversation the seemingly divide realms of the sacred and the secular, the political and the domestic, and the formalism and the commercial, Native N American Art shows how visual arts not only maintain the integrity of spiritual and social systems within Native Northward American societies, but accept long been function of a cantankerous-cultural experience as well.

Previous publication dates

November 1998

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Native Due north American Art

2d Edition

Janet Catherine Berlo and Ruth B. Phillips

Table of Contents

List of Abbreviations
Timeline
ane. An Introduction to the Indigenous Arts of North America
Art history and Native Fine art: The Challenge of Inclusion
--Modes of Appreciation: Curiosity, Specimen, Fine art
--OBJECT IN FOCUS: The National Museum of the American Indian
--Expanding Fine art History's Inclusivity, and Defining "Art"
Colonial Legacies
--Ownership and Public Display
-Result IN FOCUS: 'Who Owns Native Culture?
--Commodification and Actuality
--Who Is an Indian? Clan, Community, Political Construction, and Art
Spiritual Practices and the Making of Fine art
--The Map of the Creation
--The Nature of Spirit
--Dreams and the Vision Quest
--Shamanism
Social Practices and the Making of Art
--Public Commemoration: Displaying and Transferring Power and Authority
--The Power of Personal Adornment
--"Creativity Is Our Tradition": Innovations and Retention
--Gender and the Making of Fine art
--ARTIST IN FOCUS: Kent Monkman--Repainting Art's Histories
2. The Southwest
The Southwest equally a Region
The Ancient World: Anasazi, Mimbres, Hohokam
--Ancestral Puebloan Architecture, Ritual and Worldview
--Ancestral Puebloan Fiber Arts
--Ancestral Puebloan Pottery
--An Blithe Universe: Mimbres Painted Bowls
--OBJECT IN FOCUS: Mimbres Pottery Designs--Trajectories and Transformations
--An Animated Universe: Mimbres Painted Bowls
--Hohokam Fine art and Civilisation
--Paquimé: Crossroads of Cultures 1250 - 1450 C.E.
From Late Precontact to the Colonial Era to the Modern Pueblos
--Pecos Pueblo: An Intercultural Zone
--Pueblo Architectural Infinite and Ritual Operation
--Pueblo Pottery
--ARTISTS IN FOCUS: Maria and Julian Martinez
Navajo and Apache Arts
--Arts of Medicine and Performance
--Navajo Weaving and the Powers of Transformation
--MATERIALS IN FOCUS: Wools for Navajo Weaving
--Apache and O'odham Baskets
--Navajo and Pueblo Jewelry
3. The E
The E every bit a Region
--Precontact Art Traditions: Archaic, Woodland, and Mississippian Civilizations
--The Archaic Period
--The Woodland Period
--Mississippian Art and Culture
The Southeast: The Calamity of Contact
--A Continuum of Basketry: Chitimacha Traditionalism and Beyond
--Reconfiguring Southeastern Arts: Seminole and Miccosukee Textiles
The Northeast and the Bang-up Lakes
--The Early Contact Flow
--Arts of the "Middle Footing"
--Arts of Self-Beautification
--OBJECT IN FOCUS: The Assiginack Canoe
--Techniques in focus: Quillwork and Beadwork
--In the Pocketbook: A Mini-History of Modify Told Through Bags
--ARTIST IN FOCUS: Caroline Parker
--Souvenir Arts
4. The West
The West equally a Region
--The Great Plains
--The Plateau, The Great Basin, and California
Art of the Nifty Plains
--Women's Arts
--TECHNIQUE IN FOCUS: Tanning a Hide
--Men's Arts
--Arts of Survival and Renewal
--ARTIST IN FOCUS: Silver Horn: Chronicler of Kiowa Life
--An Aesthetic of Excess
--Métis Art: "The Flower Beadwork People"
The Intermontaine Region-An Artistic Crossroads
--OBJECT IN FOCUS: A Helpmate's Wealth and a Community's Wealth
The Far West: Arts of California and the Peachy Basin
--Chumash baskets and the California Mission System
--The ''Basketry Craze'' and the Craft Move
--Lower Klamath River baskets
--Pomo baskets: "Wrought with Feathers"
--Washoe Baskets and the Ability of Marketing
5. The Due north
The North equally a Region
Arts of the Boreal Forests
--The Beothuk: "Perhaps They Were Non All Erased"
--Article of clothing Arts to Please the Animals
--Painted Coats of the Innu: Pleasing the Spirits of Caribou
--The James Bay Cree: From Painted Geometries to Beaded Flowers
--Dene Clothing for Protection and Beauty
The Chill
--Ancient Artists of the Chill
Celebrated and Contemporary Arts of the Arctic
--Arctic Architecture: Igloo, Tent, and House
--Garments for Warmth and Beauty
--TECHNIQUE IN FOCUS: Working with Gutskin
--ARTIST IN FOCUS: Nivisanaaq and Her Beaded Parka
--Arts of Festival, Performance, and Success in the Hunt
--OBJECT IN FOCUS: The Ttravels of a Raven Mask
--Arts for New Markets: Baskets, Carvings, Dolls, and Textiles
--Graphic Arts: Chronicling Life and Recalling the Past
Toward the Twenty-First Century in the North
half-dozen. The Northwest Declension
The Northwest Coast as a Region
The Evolution of Styles: Local Variations and Regional Continuities Across Time
--The Origins of Northwest Coast Artistic Styles: The Archaeological Tape
--The Early on Contact Period
--The Formline Fashion
--Western Connoisseurship and Northwest Coast Art
--TECHNIQUE IN FOCUS: Finger-weaving a Chilkat Blanket
--OBJECT IN FOCUS: A Tsimshian Mask and Questions of Patrimony
Contexts for Art: Power, Status, and Cantankerous-Cultural Exchange
--Shamanism
--Crest Art
--The Potlatch
--Art, Commodity, and Oral Tradition
-- ARTISTS IN FOCUS: Charles and Isabella Edenshaw
Northwest Coast Art Since the Beginning of the Twentieth Century
seven. Native Art 1900-1980: Moderns and Modernists
The Multiplicity of Modernisms
--Problems of Definition: Ethnic, Modern, Modernist
--Primitivism, the "Time-Lag," and Multiple Modernisms
--The "Gimmicky Traditional" in Twentieth-Century Fine art
--Moments of Starting time
--Schooling the Modern Native N American Creative person
--The Southern Plains and the Kiowa V
--Pueblo Painting and the Rising of the "Studio Way"
--The Display and Marketing of American Indian Art: Exhibitions, Mural Projects, and Competitions
--OBJECT IN FOCUS: "Book Cover of "Introduction to American Indian Fine art" (1931)
Moderns and Modernists at the Mid-Century
--Pioneering Modernists: Howe, Herrera, Houser
--The Institute of American Indian Arts
--Twentieth-Century Native Art in Alaska
--Institutional Frameworks and Modernisms in Canada
--Inventing 'Inuit Art'
--TECHNIQUE IN FOCUS: Inuit Stonecut Prints
--Tradition in Modernity on the Northwest Coast
--Anishinaabe Modern and Plains Abstraction: Morrisseau and Janvier
Artists and Activists in Canada: The 1970s and 1980s
--The Indians of Canada Pavilion at Expo 67
--Professionalization and Experimentation: Decolonizing Modernism
--Artist IN FOCUS: Fritz Scholder
8. Native Cosmopolitanisms: 1980 and Beyond
The 1980s and the Rise of a Contemporary Native Art Movement
--The Artist every bit Trickster
--Institutional Contexts
Gimmicky Art: Media, Expressive Modes, Artistic Choices
--Painting and Graphic Arts
--Artist IN FOCUS: Jaune Quick-to-Meet Smith--Artist and Advocate
Photography
Arts and crafts in Art: Fiber, Metallic, Dirt, and Beyond
CONCEPT IN FOCUS: What is "Craft"?
Sculpture and Mixed Media
Installation
OBJECT IN FOCUS: Edgar Heap of Birds' Wheel
Performance
Picture, Video, and New Media
Preeminent Issues in Native Art Since 1980
--Postcolonial Perspectives on Sovereignty, Dwelling house, and Homelands
--Ecology and the Land
--The Native Body
--Globalism and the Transnational
Decision: "Celebrate 40,000 Years of American Art" - Just Be Vigilant
Notes
Bibliographic Essay
Index

Native North American Fine art

2nd Edition

Janet Catherine Berlo and Ruth B. Phillips

Author Information

Janet Catherine Berlo is Professor of Visual and Cultural Studies at the Academy of Rochester. She has taught Native American art history equally a visiting professor at Harvard, Yale, and UCLA, and has received grants from the Guggenheim Foundation, the Getty Foundation, and the National Endowment for the Humanities.

Ruth B. Phillips is Canada Research Chair and Professor of Art History at Carleton University in Ottawa. She has served every bit manager of the University of British Columbia Museum of Anthropology and as president of Comité International d'Histoire de l'Art (CIHA), UNESCO'southward world fine art history arrangement. She has been a visiting professor at Cambridge and Harvard Universities and is a fellow of the Royal Guild of Canada.

Native Northward American Art

Second Edition

Janet Catherine Berlo and Ruth B. Phillips

Reviews and Awards

"The Second Edition of Native North American Art updates a approved text in the field of Native American Art History with key theoretical, methodological and creative person additions. Initially instrumental in shaping the field of Native American Fine art History, this edition continues to influence disquisitional interactions with critiques on modernism, materiality and indigenous authorship. Unique to this undergraduate text is the integration of the legacy of colonialism equally a foundational structure in the analysis of Native American Art History. Teasing out the tensions between the histories of Native American Art, current theoretical approaches, and art dealing with critical indigenous bug, this text expertly charts a form through thousands of years of 'American' art."--Jolene Rickard, Cornell University

"The quality of the scholarship and the accessibility of the writing--for full general undergraduates, equally well as those who have some background in art history or Native American studies--make this text very useful for my educational activity."--Bill Anthes, Pitzer College

"Native North American Fine art is admittedly the best text in the field. Extraordinary in both range and depth, the text's master strengths are its comprehensive coverage, its inclusion of contemporary works, and its highly accessible and engaging writing style."--Jennifer McLerran, Northern Arizona University

"This text is compact and concise, inexpensive for students, and written at a level appropriate for an introductory text."--Peri Klemm, California State University, Northridge

"Native Northward American Fine art does an splendid task of explaining the rationale behind the production of Native American fine art. The photos, maps, and boxed topics are groovy for clarifying specific themes, ideas, and processes."--Andrea Donovan, Minot Land University

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